She lifted the slightly flat acting of the Phantom wonderfully and kept Raoul's head above water. However, really enjoyed it still produces the old goose bumps it has to be said the music is great. Having loved the interpretation of the movie, I thought I should see the stage play, and I thought it was amazing! Traditionally, these were concentrated in the stalls, as close to the stage as possible. A "Must-See". He acted, sang and performed to utter perfection and left us in tears! __________________, I was visiting London from the US July 25 2005, and luckily procured fantastic tickets for Phantom of the Opera. Didn't know the storyline beforehand and found the second half a little confusing. Visited this theatre for the first time - last minute decision so the only seats available were in the back row of the stalls SEATS 1/2/3. Both of these are true and valid points. There is a real depth of emotion conveyed by the music and the stage performances of the actors was excellent. As per usual, Row B suffers from your view being spoilt if people in front lean over; I found myself envying the people sat in the central section in Row A as they paid the same price as me but are great seats. The only action missed, which amounted to perhaps just 1 minute in total, was missed because I was sitting in the rear stalls, under the overhang of the circle. At that time you heard her voice only over the speakers and not coming from the stage as before (I was very close). My praise is reserved for McCanns masterpiece performance, combining a slight subtle stature with an explosive, concentrated, resonant Phantom. I really dont waste much energy crying over spilt milk. Sat in Row C Centre of Dress Circle (perfect) at only 30 (an offer price not always available). Not only this but the heat in our seats was intolerable. The only understudy was Christine Daae which was played by Tabitha Webb. Performance schedule. Phantom of the Opera, 27Apr2017, there is a pole right in front of the seat, with no warning. Tiny leg room, but otherwise an excellent seat! Saw this show on the 28th December 2006, with Celia Graham as Christine, Earl Carpenter as the Phantom and Michael Xavier as Raoul. CHAPTER V. Conclusion of the Greek Drama. I've once bought a single seat at the very end of row B and the view was terrible. Monique Different shows have different set up on stage so if they say restricted viewing I would would take them at their word. NOTE: Seat numbers and all Legacy reader reviews belowrefer to the production before it reopened in 2021. Millions of people can't be wrong! So what it the emotion is overblown? Pillar on the left that did block out some of the performance. Otherwiseanywhere in the stalls up to row F (keeping in mind the numbering system is designed to trick you into thinking youre closer to the stage than you really are the first eight rows are AA, BB, CC etc) is always a good bet. A must see West End Production. He is a true gentleman and a real star in a profession where there are few. Coupled with a very limited choice of seats, I went for these. You are close enough to the stage (there is no row A) to see most of the action and by sitting right at the side of the auditorium you didn't have to move your head from side to side too much to follow the action. Talk about rejecting people because they dont appear normal! He sang brilliantly in the title song, and in 'Music Of The Night' he acted and sung flawlessly. Some scenes-mainly the hanging of sceneshifter Joseph Buquet - are not suitable for young children. You don't miss a thing at these seats, and they made the show much more enjoyable. It had me in tears and goosebumps in parts. The heavy romance keeps seats filled and the thudding mock grandeur of the score seems to reassure audiences of the quality. He lacks charisma in order to allow us to build up empathy with the Phantom. Best Calypso Trinidad and Tobago Music 2021 - with Steel Drumshttps://www.youtube.com/watch?v=wRO3Jf1wF1kBest Calypso Music - Trinidad \u0026 Tobago - Steel Drumshttps://www.youtube.com/watch?v=JpUh5wUBkbM2021 Calypso \u0026 Hawaiian Music - Trinidad Tobago \u0026 Hawaii Best Steel Drums Music Mixhttps://www.youtube.com/watch?v=w_d95XP3_G4 Best Tropical, Caribbean, and Steel Drum Musichttps://www.youtube.com/watch?v=0dVvsX3SlsQ 2021 MGTracey Ltd The theatre was quite warm for a chilly night, only felt cold when side door near the seats was open. Paul Johnson _____________________, I went to see the show in March 2009 and we sat in row C of the stalls, seats C11, C12, and C13. ____________________. His portrayal is very simple in such a complex work, and it seemed as if he was just bashing through the songs - like sight-reading. However, the theatre got a refurb forMoulin Rouge! We had stall seats from D7 through to D16 as there was 10 of us. Really enjoyed the show, Earl Carpenter as Phantom and Rachel Barrell as a superb Christine. One small word of warning-do not go to the stage door to see the cast! Angie Christie (Mrs) Messrs Colin and Asa Mccarthy-Burton Earl Carpenter as the Phantom was so fitting. So if anything is happening higher up the stage you cannot see it. Earl Carpenter in the lead was very good indeed though not in the same league as Crawford who we had seen on two occasions. Your view is blocked for a few seconds during the masquerade scene so you miss the entrance of the Phantom and I had forgotten about SPOILER the actor who pops up during the show from the orchestra pit who blocks your view SPOILER ENDS - but again being so close adds to the experience. It all seemed too loud to me and at times I found the level almost painful. All in all a good evening out but be prepared that this is more opera based than the Mama Mia style. A few seconds and I'd gone from wondering if we'll make the last orders at the pub, to being totally enthralled. Visited this theatre for the first time - last minute decision so the only seats available were in the back row of the stalls SEATS 1/2/3. Leg room was very good, even for long legs. The roles of Christine and the Phantom really are quite demanding and emotional and at the end I actually felt sympathy for the poor old Phantom and was left wondering what would happen to him. He couldnt have been more out of his depth if the boat had capsized in Act 1! So if anything is happening higher up the stage you cannot see it. The actor who played the Phantom could not be faulted. However it doesn't excuse the lack of effort. I was seated in row L seat 5 - totally great seats - at Her Majesty's Theatre. On my first viewing (from the Upper Circle) I remember being amazed when the rows of candles appeared for the Music of The Night scene, but from row C this effect is muted, also the cloud which is so effective from further away obscures the action I reckon rows G and H would be much better, or probably the main green area of the Dress Circle. I had two problems with the production though. I think the connection between Ramin and Robyn is very electric and sexy. How have you got on at the show?Tracey shares some of the best of #Cuba Salsa, and #Cuban Music in this playlist, with #Merengue, Bachata, #Samba, Mambo, Baila Loca Music to dance to. I will be going back soon to see this wonderful show! I have to say this was by far the best visit to see this long runner in a long time, and only have one gripe. I thought that after hearing the original cast on my CD so many times I would be disappointed but Iwasn't. Sitting anywhere else in this row, I would have had to change seats, as I physically wouldn't have been able to last the duration of the performance (34inch legs) Thankfully, the overwhelming performance and amazing view made me quickly forget about the leg room, but feel this should be mentioned when you buy the tickets. The seats do seem close together and space seemed a bit tight on elbow room, but nothing to really worry about. If you want to see upbeat and twee dance numbers choreographed to perfection I can give you directions to the Adelphi! I asked at box office at 14.15hrs. We sat in the Grand Circle D17 and D18 which is right in the middle. We knew the night before via Twitter that John Owen-Jones would not be the Phantom due to illness but knew that we would be in safe hands with Scott Davies as the understudy. 'Wishing you were somehow here again' in the grave is a richly powerful song, and the lead roles had voices which were shattering. The show is fresh again and it's definitely worth the ticket price. Lets get it clear: Paul Johnson of Port Talbot could not be more wrong in his summary of Brian McCanns performance as understudy Phantom. This will give you the best chance at unimpeded views. However, the only part of the stage missing is the very bottom left, which includes the drawing room door. Get your tickets soon (although I think as it's been on so long, it won't be ending anytime soon and I can see why). The legroom wasnt too bad ( I am 5 feet 5) and the seats were a standard size. Birthday outing for Tall Daughter and myself as we continue our steady progress around every London musical we can. The view from here was brilliant, and absolutely fantastic for the chandelier moments, as well as enabling you to see the Phantom at the top of the rig (which you would miss out on if further forward or under the overhang if further back). Ramin Karimloo made a wonderful 'Phantom', Gina Beck an amazing 'Christine' (what a voice! VDOMDHTMLtml> Her Majesty's Theatre - London VIP Box & Suites Find wonderful Her Majesty's Theatre - London VIP Box & Suites for your next event. Was interesting watching other people not knowing where the Phantom was speaking from - but if you knew where to look you had no issues seeing him. We'll probably revisit next year if the kids demand!! I always though opera was amazing but this performance truly wins. But towards the end of Act 1, in the 'All I Ask Of You' reprise he seemed to lose his way. Theatremonkey is an Affiliate Member of STAR. It only emphasis's the passion! Ticketek says the seats are restricted by support poles. From both seats F1 and F2 you couldn't see the extreme side of the stage but I don't think you missed much action at all. My partner really enjoyed the show and we both agreed that the staging is excellent. 18th November 2011, 7:30pm One thing I will point out, we treated ourselves to the 'RoyalBox Sharing Canaps' - what a waste of money! How can you expect a musical about Opera to be anything but Melodrama?????? Some people have thought that the show dragged but I think that is par for the course with musicals when they are a couple of hours long, and actually I was eager for the second half to start as I was really enjoying the performance. No railing, just a wide velvet shelf. _____________________, Thought I'd drop you a line with regard to my most recent trip to London to finally catch "Phantom," a show that I've wanted to witness for a long time but not enough to fork out for the always-top price and hard-to-get-without-booking-early seats! Alex was very charming, the nicest actor I've ever met. He brought back a vulnerability to the role that hasn't been seen in a Phantom since Michael Crawford in my opinion. Went to see The Jersey Boys on Wednesday 8th Feb at His Majesty's Aberdeen. The legroom in E12 and E13 is very poor indeed and I would not sit in the Upper Circle again - although the view was acceptable, it wasn't brilliant (although you do get up close and personal with the Phantom when he's up to mischief way above the stage). She played Christine with great intricacy and sensitivity. ___________________, Firstly, I would like to thank the Theatremonkey's frequent updates of special offers, which is where I searched for a fabulous offer to see "The Phantom of the Opera". I adored Carlotta. A wonderful performance by all. __________________________________. and long legs although some shifting was required occasionally. 2nd in line, and I got 030 in Stalls for 25 - way under Balcony missing a few of the stuff like Phantom on a set-piece high and the chandelier going up. If a musical doesn't have good music, it is pointless to me. ________________________________. Slightly perplexed, I informed her of the conversation had the day previously with a See box office member of staff, she hinted that this keeps happening and See continually give out wrong information, and that I should make a formal complaint to them about what had happened. Wardrobe, lighting, the set and the orchestra were all very appealing but the cast and direction completely floundered. The drama of the chandelier at the beginning always sends shivers down my spine, as does the "Masquerade" scene. I really did have an excellent time and I would want to see it again. I LOVED IT!!! Not the best start to Phantom really and I was quite cross. I had booked row E seat 1 of the royal circle for that night's performance as I had been wanting to see Katie Hall as Christine for AGES - and I was also pleased at the thought of seeing John Owen Jones as the Phantom, as I had previously seen the two actors in the 'Les Mis' tour last year. JOJ has total anguish in everything he sings and performs and Ben just didn't, sigh. The main character's "Phantom" and "Christine" were excellent and put so much into their performances. Originally designed by John Truscott, it suffered from poor acoustics for years, but these issues were largely eradicated in the upgrade, and now even high up in the balcony, the sound is powerful. __________________________. _______________. Some of the key moments happen on Down-Stage Right, but fortunately the singing and lines are so clear you can visualise it for yourself. The rest of the cast were very good, and it was a great evening. What are the best seats at Her Majestys theatre? Current prices are advised at time of enquiry. A hideously deformed musician enjoys chasing a talented young lady singer around the stage. That great height brings us to the worst seats. Even though I have not seen Mr. Crawford's original display, I knew Earl's haunting voice was key to play the Phantom. Being so close has some advantages. I thought I'd be cramped - but I'd sacrifice that for our experience- and it shouldn't affect my much more reasonably sized wife. Book London Theatre Week The Phantom of the Opera tickets in London on TodayTix. At the end of the booking process enter the promo code; HMT2023 You must book online and pay BEFORE arriving at the Parking Station. The Spanish-inspired interior seats up to 1,000 guests across two tiers, with fairly good eyelines available throughout. The rest of the time he sings in a low-level, half-speaking-half-singing manor that I find most unsatisfying, if not actually irritating (as someone hoping to see great singing). It was such a shame. John Owen-Jones made a decidedly un-menacing Phantom (great Valjean but ropey Phantom - remind you of anyone?) She was fabulously camp and over the top, as any good diva should be. *** 'Alternate' An actor assigned to play a lead role on fixed dates when the lead actor is absent either on holiday or taking a 'rest' day each week.) So it is no surprise to me he has gone from strength to strength in his career, and the role of Phantom is surely one of the most demanding on any singer. We were generally happy with the seats - but they should be clearly identified as "Restricted," as my aisle seat (and much more so the seat next to me), often had a blocked view of the performance, especially when the action was Stage Right. 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