There are several important take-aways from these graphs. but in the particular case of the Dynaudio Evoke 50, its unique double-dome structure would make such a repair challenging, to say the least. Impedance vs. frequency is shown across three graphs, rather than just the usual single graph, due to the number of permutations permitted by the provision of, effectively, three completely different cabinet alignments, each one of which will affect the impedance (as you can see). Given that the higher of the two crossover frequencies is at 3.5kHz, I expect that the 3–6kHz lift is the result of some summing of the midrange and tweeter outputs, and as such might not be as apparent when listening slightly off-axis. For more extreme bass reduction, fit the complete plug so that the port is blocked.’ I say this is simplistic because when you block the port completely you will certainly get a reduction in the level of upper bass, but you may find that you also get a slight lift in the level of the extremely low bass. The black trace shows the response of one bass driver (for clarity) without any bungs, and you can see that the response rolls off quite steeply from around 60Hz. You can have them a little bit below your ears, and that’ll be fine. However, spreading the load of the low-frequencies across two drivers not only allows the use of smaller-diameter drivers, it also distributes the amplifier power between two voice-coils, rather than one, which means increased power-handling capability and, more importantly, reduced dynamic compression. Cerotar-diskanten er helt ny, med en ekstra indvendig dome kaldet Hexis, der bryder resonanser op. The notes from the bottom-most keys of a grand piano are about the lowest-frequency sounds you’re ever going to run across in most music genres… classical, jazz, rock, et al, and after having used the Evoke 50s to enjoy the performances of a number of piano greats, from Wilhelm Kempff and Glenn Gould to Khatia Buniatishvili and from Art Tatum and Bud Powell to Keith Jarrett, and from Jerry Lee Lewis though Keith Emerson and Sir Elton John, I can tell you that the Dynaudio Evoke 50s deliver a fine rendition of a grand piano in full flight. And every finish has been painstakingly formulated and executed to reflect those on our most exclusive speakers. The bass is not only powerful (turn up the volume at the peril of your ears, and the annoyance of your neighbours… because those Dynaudio bass drivers are built tough, they can take it) but also enormously extended. The Evoke 10, to be clear, isn’t a small speaker that’s trying to be anything more than what it is. But nor are they super laid-back either. There are richness and balance there. These are very well made and nice looking in piano black. When it comes to laying down a horizontal soundstage, it’s okay. IT may arguably be easier to build a cost-no-object speaker than a mid-range model. I’ve come to find that you don’t want them too high above your ears, though. Now think about a bass/midrange driver that has to produce both bass and midrange sounds because the particular cabinet in which it’s fitted does not have a midrange driver. There may be something else that you may prefer, especially if you want the sharpness of metal done or that kind of forward sound that you get from a lot of metal woofers. Hifireport.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking hifireport.com to Amazon properties.Additionally, hifireport.com participates in various other affiliate programs, and we sometimes get a commission for purchases made through our links in this website. More importantly, it would be difficult to see that the inner dome had been damaged by a customer in the first place. Fabulous sound, with super-extended, effortless bass, superb midrange and transparent highs, along with stereo imaging to die for. Number one, these are small speakers. Returning again to that tweeter, and it encroaching on the Esotar3’s territory, I’ve always found Phil Smith’s posthorn solo in Bernstein’s take on Mahler’s Third, with the New York Philharmonic (DG 427 328-2), a very good test of a tweeter, and listening to it via the Dynaudio Evoke 50s I heard all of the brightness, cleanliness and punch-through that I expect to hear, and all against an atmosphere so orchestral you could cut it with a knife. is part of Future plc, an international media group and leading digital publisher. What you get out of the Evoke 10 is that classic Dynaudio sound, except now there’s richness within the character. This way it not only gets better pricing—and a big say in quality control—but it can also have those capacitors and resistors branded ‘Dynaudio’ rather than with the name of the original manufacturer. There was a problem. It sounds good with a lot of stuff.eval(ez_write_tag([[250,250],'hifireport_com-banner-1','ezslot_2',134,'0','0'])); Let’s talk about the bass. When would you use them? The Evoke 10 itself is a very straightforward design. They’re kind of in-between. The highest frequencies are beautifully extended, but not so extended that they become glassy, or bright. Excellent design. The Evoke 10 has a very natural tone, especially for the price. When everyone is still discussing Bluetooth speakers, Dynaudio has already considered that speakers need to be "wireless" and must not rely solely... EDIFIER s2000 Pro Active Wireless Speaker Review, Dimensions (W x H x D): 180x315x266mm, 7.1×12.4×10.5in, Dimensions with feet/grille (W x H x D): 180x315x277mm, 7.1×12.4×10.9in. It’s not going to have this huge sound that you can listen to at a rock concert-like volumes. You can walk around a room. In fact, you can try this for yourself when auditioning: sit exactly in the sweet spot, then move your head from side to side, and up and down, and twist it from side to side. As for the magnet itself, that’s one of the major differences between it and the Esotar3. It’s balanced. When you listen to these speakers, you’ll notice that number one, they don’t project in a forward way. It’s made entirely of plastic and although it’s flared where it exits the cabinet, the same isn’t the case at the entrance of the port, inside the cabinet. Nobody has posted a review yet in this language Rate it # 16 other products in the same category: Quick view Harbeth Monitor 40.2 Loudspeakers. Its single-piece polypropylene cone is only 0.4mm thick and is driven by an aluminium voice-coil wound around a fibreglass former. “The drivers in the Evoke are the best to date. You can feel that “someone” versus “something” made these. The 15cm unit they chose is derived directly from the high-end Contour range – which means a powerful neodymium magnet, a 0.4mm-thin diaphragm, and a glass-fiber voice-coil former with a trademark Dynaudio aluminum voice-coil. For mild bass reduction, fit only the outer foam ring by sliding it in the port tube so that it sits just inside the flared port exit—making sure it retains its shape to minimise airflow turbulence. Unlike many such recordings, not only are the two musicians in perfect musical balance with each other, but the sounds of their two instruments are also perfectly balanced one against the other, something that’s enormously difficult to do with two instruments that produce their sounds so differently as the piano and the violin, due not only to the differences in acoustic size, but in the method of sound creation (i.e., vibration vs. percussion). The tweeter uses Dynaudio’s newly developed Hexis built-in dome, making the details in the music clearer. Dynaudio's Evoke 20 is a full-size stand-mounted speaker designed to excel in almost any size space. That leads me to the individual elements of the presentation, starting with the treble. It doesn’t feel like this tiny speaker to where you have to be sitting at a certain height to get that decent sense of scale out of it. Turning this speaker around, we’re going to have this lovely curved cabinet and a walnut veneer. You can tell that here’s a tweeter and here’s a Woofer.eval(ez_write_tag([[250,250],'hifireport_com-large-leaderboard-2','ezslot_9',135,'0','0'])); Let’s go ahead and get evident out of the way. The sonics are such that you can hear the soundboard at work making the sound bigger and more authoritative, and you’ll never be left wondering whether you’re listening to a Steinway or a Fazioli, such are the incredible detailing abilities of those Evoke 50 bass drivers. The Dynaudio Evoke 50 is available in two different high-gloss painted finishes (high-gloss white and high-gloss black) and two different synthetic wood finishes: walnut and blonde. As I have already pointed out, the front baffle of the Dynaudio Evoke 50’s cabinet is only 215mm across, which is relatively narrow (which is not only cosmetically desirable, but has the advantage of improving dispersion from all the drivers) so you will be intrigued to hear that the rear of the cabinet is only 185mm across, meaning that the cabinet tapers in width from front to back so that the side walls are not parallel, a trick that inhibits the production of standing waves inside the cabinet. Evoke 50 is the only speaker in the family to have a dedicated midrange driver, so the engineers in Dynaudio Labs decided to make it a little bit special. Newport Test Labs measured the Dynaudio Evoke 50 loudspeakers using its standard test procedures. With the half-bung fitted, the output from the port drops by 5dB, as you’d expect, and the peak output also drops in frequency down to 32Hz. It isn’t the exact same tweeter, of course, but the most important design element is the same, which is that the 28mm fabric dome sits just on top of a hidden ‘inner dome’ in a geometry that Dynaudio calls a ‘Hexis’—and if you look carefully at the fabric dome, you can just see the dimpled surface of the sub-dome underneath. For decades they also supplied OEM parts, namely the drivers they design and build to other high-end companies. DYNAUDIO EVOKE 20 standmount speakers + Clean, smooth sound without being overly dry nor analytical; good midrange presence with room-shaking bass. As you can see, each of the major horizontal divisions on the graph represents a 5dB change in level, so the graph shows the response of the Dynaudio Evoke 50 as extending from 35Hz to 22kHz ±3dB, which is an outstandingly good result, particularly in terms of bass extension, for a design that uses relatively small-diameter bass drivers and a relatively small-volume cabinet. It’s a compact two-way, rear-ported, bass-reflex design. That will be great news for many of you because most of you stream music nowadays, and streaming could use a little bit of smoothness. Dynaudio, they’re one of the few high-end companies that don’t require a lengthy introduction. Overall this is a well-rounded speaker who handles a wide variety of music just fine. But I will say this is an easy recommendation for somebody looking for a quality monitor at this price point, mainly because Dynaudio is a very well-established company. They have been in business since the late 1970s. This two-way design pairs the 28mm Cerotar tweeter and Hexis with an 18cm long-throw woofer. If you want that big explosive sound, they’re not going to be for you. Between warmth, that’s easy to listen to yet something that’s also very expressive. They’ve also done a great job of building a speaker that isn’t to discriminate about the kind of media you listen to. We have a set of five-way binding posts.eval(ez_write_tag([[250,250],'hifireport_com-medrectangle-4','ezslot_4',133,'0','0']));eval(ez_write_tag([[250,250],'hifireport_com-medrectangle-4','ezslot_5',133,'0','1'])); About the accessories, these speakers come with some standard black grills. So I would say that you’ll be good to go at your height or slightly lower in the sweet spot. Newport Test Labs measured the sensitivity of the Dynaudio Evoke 50 as being 87dBSPL at one metre, for a 2.83Veq input under its standard test conditions, a result that is in exact agreement with Dynaudio’s own specification. As is becoming increasingly common these days, Dynaudio provides soft foam plugs, or ‘bungs’ with the Evoke 50. Plug them in, turn them up, and then get a friend round. And they’re very proud of this tweeter. Obviously, this meant that vocal were particularly well-delivered, and for both male and female vocalists. Find helpful customer reviews and review ratings for Dynaudio Evoke 50 Floorstanding Speaker (Each) (Black Gloss) at Amazon.com. The bottom-most notes are stringily tangible, and you’re never left wondering about pitch, even for the most briefly-struck keys. Whereas ‘bespoke’ loudspeaker manufacturers buy the essential bipolar capacitors and high-power resistors for their crossover networks from distributors at premium prices, Dynaudio buys its capacitors and resistors direct from the manufacturers. With the speakers only maybe a foot or two away from your ears, in my experience, the answer is they’re right, but they’re not great. So how is the Evoke 10’s performance? If we are standing on a railroad station, and a train approaches us with its whistle blowing, we will hear the whistle as a higher frequency while the train is approaching, at its ‘proper’ (lower) frequency when the train is alongside us, and at an even-lower frequency when the train is moving away from us. Sensitivity: 88 dB. If you listen to fair music at soft volumes in a small room, you can probably get away with an 18 to 30 watt per channel tube amplifier. Please refresh the page and try again. Although all the models in the new Evoke range use the same tweeter, the Evoke 50 is the only model in the range that has a dedicated midrange driver. But I was not prepared for the quality and expansiveness of the bass from the dual bass drivers, nor was I prepared for the performance from the new Cerotar tweeter, which was exceptionally good… so good that it was very easily encroaching on the Esotar3’s territory. So overall, they’re excellent speakers, definitely not for everybody. 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