In one Cassandra continues her vengeful quest, choosing as her targets not only random predatory men (she has an apparently inexhaustible wardrobe of come-hither fashions, wigs and makeup) but also individuals who were involved in an sexual assault scandal dating back to her college years. Indeed, MacGowan’s love/hate relationship with religion could be a movie unto itself. Cannily picking up on clues Eudoria deliberately left behind, Enola disguises herself as a boy and hits the road. Early on the British-born Rory (Law) informs wife Allison (Coon) that he’s been approached by a former boss to return to the U.K. for a prestigious position in acquisitions and mergers. A lesser film would have made the movie a tragedy about the mother trying to force her offspring into a situation in which the child has no interest. The Sound of Everything. He’s quiet, soaking up the vibes, tentatively making acquaintances. Orson Welles, the boy wonder director of “Kane” (Tom Burke, who sounds like Welles even if he doesn’t much look like him), is here little more than a walk-on character. [4] During 1986, the group occupied themselves by guesting on a cover version of "The Irish Rover" with the Dubliners, and taking part in Alex Cox's comedy action film Straight to Hell, shot in southern Spain and also starring the Clash's frontman Joe Strummer. [17] Allmusic has since awarded the album four and a half out of five stars and its reviewer, Mark Deming, called it "the best album the Pogues would ever make". That it also deals heavily in themes of  official misbehavior only makes it more relevant to a time in which the tools of government are routinely twisted to serve the corrupt whims of the White House. [6], "Fairytale of New York" remains The Pogues' best known and best-selling single. Kai is your average teen; she dreams of joining her schools’ booty-bumping dance squad, and can only roll her eyes at the demure, old-school beauty pageant behavior demanded by the Miss Juneteenth organizers. Music industry hustler Danny (Daniel Mays) has come to quaint Port Isaac, Cornwall, as part of a bachelor party for one of his co-workers. Zappa’s father was a chemist who worked in a defense plant producing nerve gas; everyone in the neighborhood was required to have gas masks close at hand in case of a leak. Other documentarists have obsessed over the astonishing properties of octopi…for instance, their ability to instantaneously change the color and texture of their skin to blend in with their environment, or to compress their bodies to slip through tiny cracks. (Although, the first Christopher Reeve “Superman” from 1978 remains imminently watchable…not for the eye candy but for its wit, its celebration of a cultural icon and the genuine affection it exudes for its hero and his world.). It’s equal parts inspirational and heartbreaking. Bernard (Michael Benjamin Washington) is a black man who, before the evening is over, will erupt over Michael’s barely-disguised race baiting. With its love of the big city “On the Rocks” sometimes feels like a long-lost Woody Allen effort, but Coppola is very much her own auteur; it’s doubtful that Allen or any male writer/director could have so succinctly captured Laura’s predicament. But Turquoise dreams — intensely if not realistically — that Kai will succeed in not only winning the title of Miss Juneteenth but in realizing the life her mama missed out on. He manages to perambulate a mile or so down the road before a frantic Sam catches up and gently leads his bewildered best friend back into their ride. Occasionally the older Gloria will share the screen with her younger selves in a series of interior dialogues. Before that happens, though, I’m happy to have seen “Alone,” John Hyams’ superior thriller that with a minimum of fuss leaves the nerves tingling. Posted in Uncategorized | Tagged "Crock of Gold", Julien Temple, Shane MacGowan, The Clash, the Pogues | 3 Comments », “SOUND OF METAL” My rating: B (Amazon Prime). The first chapter introduces us to young Beth Harrison (played as a child by Isla Johnston) in the wake of the suicidal car wreck that killed her single mother (Chloe Pirrie, who keeps popping up in flashbacks scattered throughout the episodes). The results are hugely informative (and required viewing for all young women) but, for most of the film’s long running time, emotionally remote. She’s home schooled by her doting mother Diane (Sarah Paulson) and while not precisely a shut-in (they’ll go shopping in their small town and spend an occasional night at the movies) Chloe’s first-hand experience of the world has been severely limited. But Enola has a head start. Oh, yeah…and  you’ll learn an awful lot about the world of competitive chess. “THE DISSIDENT” My rating: B+ (Amazon Prime). The first is Beth’s rise to the highest ranks of international chess, starting with state competitions (she knows the game, but is indifferent to the attendant proprieties), through state championships and on to the nationals. However, the relationship with their producer Elvis Costello was deteriorating, and tensions were further heightened by his romantic involvement with the band's bass player Cait O'Riordan. Thing is, Denmark (like most European nations) relies on coalition governments made up of representatives of two or more parties. Augustine has a mission. Gotta be honest…the first half hour or so of Netflix’s “The Boys in the Band” is not terribly promising. “Pieces of a Woman” announces itself with such an overwhelmingly dramatic and technologically challenging sequence that the rest of the film seems like an afterthought. Posted in Uncategorized | Tagged "The Life Ahead", Ibrahima Gueye, Sophia Loren | Leave a Comment ». This doofus-looking dude (sandy Fu-Manchu ‘stache, oversized aviator glasses) tries to start up a friendly conversation but Jessica wisely isn’t having any of it. There’s a war in Europe, and the men are anxious to prove their worth on the battlefield; the Army, though, cannot see them as anything but uniformed ditch diggers and night watchmen. This film is  often painful to watch; it’s also deeply moving, thanks to a couple of killer performances. Randy Larry has a wandering eye (and other body parts), while staid Hank — who has an ex-wife and a couple of kids — takes comfort in monogamy. There are moments early on when “Let Him Go” seems to be a thoughtful examination of a long marriage between a couple with fundamental differences about how the world works. Under these circumstances MacGowan opens up. The plot, after all, centers on an orphaned boy and an old lady who takes him in. It doesn’t take long for a viewer to grasp the dimensions of Sam and Tusker’s dilemma. Yippie leaders Abbie Hoffman (Sacha Baron Cohen) and Jerry Rubin (Jeremy Strong of HBO’s “Succession”)  take a more anarchistic view. generates even more hope that this might be a keeper. While sporting many of the elements of classical oaters (especially John Ford’s “The Searchers”), Paul Greengrass’ effort  is more about loss than a triumphant taming of the wilderness. We didn’t expect anything better. [12] It was written by the band's new guitarist Chevron, and although he had written many songs before as the frontman of his previous band the Radiators, he admitted that for a long time he had felt unsure about putting his song forward for consideration as MacGowan was the recognised songwriter in the band. The premise of Harry Bradbeer’s film (Jack Thorne adopted from Nancy Springer’s YA novel) is that the great detective Sherlock Holmes had, in addition to his brother Mycroft, a little sister named Enola. It was named after J.P. Donleavy's 1973 novel A Fairy Tale of New York which Finer had been reading in the studio when the song was first written. (In fact, I’m not sure the words “Citizen Kane” are even uttered here until the last five minutes.). Finer later said, "I think it was as exciting for him as it was for us because he'd never worked with a band live in the studio".[6]. ), she crafted her arguments and began making her case. Even I want to punch you.”. 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